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Exit the King

In English: Exit the King (Kral Ölüyor; Collected Plays 3: Exit the King, The Killer, Journey to the Land of the Dead)
Eugène Ionesco
Review by: Rafel Əlizadə09 October 20261 min read
Eugène Ionesco's play about death: King Béranger I, in the last hour of his reign, refuses to accept dying, and his country falls apart with him. In the first part that was read, the strongest side is the way death is shown with cosmic and everyday detail alike (the cracking wall, the shrinking country, cobwebs), grotesque and touching. The weak side is the long monologues and repeated pleas. A strong choice for anyone who wants to read the theme of death in the language of theatre.
Who Is This Book For?
Good Fit
  • Readers who want a theatre text on death, fear and the end of life
  • Anyone who wants to meet the deeper and more serious face of absurdist theatre
  • Theatre and literature students: in this play the stage and set directions are part of the meaning
Not a Fit
  • Anyone wanting a light, fast play full of events: the main event is the King's gradual process of dying
  • Anyone sensitive to the theme of death and serious illness: the text works this theme at length and intensely
  • Anyone expecting joking, fast wordplay like earlier absurd plays: this play is heavier and more monologue-driven
How Readers Rate It
Readability 3.5/5 Average
Depth 4.1/5 Deep
Pace 2.9/5 Average
40 voters
The first part: the ruined throne room and the King being told
Read: the first part of «Exit the King» (approx. pp. 5–27) — about 30% of the play. The rest of the play, and «The Killer» and «Journey to the Land of the Dead» in the same book, were not read.

The play opens with an official ceremony: the guard announces the King, the two queens and the doctor, but the throne room is in ruins, the radiator is cold and a crack is visible in the wall. The first wife Marguerite is stern and practical: she scolds the second wife Marie — «your eyes are bloodshot, your beauty is spoiling» — and announces that she has spoken to the doctor: the King will die and must be told. Marie weeps and begs «don't tell him, let him realise himself». Marguerite replies «you had years to prepare, and you were throwing balls and parties».

The state of the country collapses like the King's body: according to Marguerite the borders have shrunk, the land is «full of holes like a gruyère cheese», the population has fallen from nine billion to one billion, the soldiers do not want to fight. The Doctor (also surgeon, executioner, bacteriologist and astrologer) brings news from the sky: Mars has collided with Saturn, the sun has lost 50–70% of its strength, spring left two and a half hours ago, frogs rain from the clouds. Juliette complains she cannot sweep the «living-room» and clears cobwebs again and again.

King Béranger I enters barefoot, in pain: arms and legs numb, backache, but still thinks himself ruler. He looks for an engineer, has banned the clouds, hates cobwebs. Marie supports him, and Marguerite tells him: «You are going to die». The King denies it: «I know, we all know; you will tell me when the time comes; in forty years, fifty years, three hundred years, when I wish». Marguerite makes it exact: «In an hour and a half, at the end of the show, you will die».

The King tries to prove his authority and every attempt fails: he orders the guard to arrest them and the guard cannot move, turned to stone; he commands «let the doctor's head fall» and nothing happens; he commands that Marguerite's crown fall and it is his own crown that falls. The guard, Juliette and Marie shout «Long live the King!» again and again, the King falls and rises — the scene is to be played «like a tragic puppet show». Finally the King orders Marie «come to me, embrace me», and Marie cannot move.

Reading Experience
  • The guard's announcements and court ceremony put death inside a theatrical spectacle
  • News of cosmic catastrophe (the Mars–Saturn collision, the weakening sun) turns the play from a simple «illness story» into allegory
  • The two queens represent two stances: Marguerite resolute, Marie with pleading and hope
  • The King's «tests» of authority (guard, crown, falling head) show helplessness visibly on stage
Content Warning
The play works the themes of death, fear and physical helplessness openly; it may be heavy for sensitive readersThe text consists of long monologues; Marguerite and the Doctor themselves say it is «literature»The other two plays in the book, «The Killer» and «Journey to the Land of the Dead», were not read and this review gives no opinion on them
If You Liked This
RhinocerosEugène Ionesco

The author's other major play, on mass pressure and the individual

EndgameSamuel Beckett

A wholly closed absurdist play on the approach of the end

The Death of Ivan IlyichLeo Tolstoy

A classic novella about a man trying to accept death

Spoiler
How does this part end?
⚠️ The King's order cannot be carried out.

At the end of the part read the King orders Marie «come to me and embrace me». Marie says «I will come, I will come» but cannot lift her arms, and even says «I have forgotten what one must do to walk». Marguerite tells the Doctor that Marie thinks love is all-powerful, but conditions have changed. What follows is outside the scope of this review.

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