Replay
Good Fit
- Readers who enjoy thrillers/mysteries with a time-travel twist
- Fans of Marc Levy's emotional, fast-paced style curious to see him work in a new genre
- Anyone drawn to novels set against a journalism backdrop in New York
Not a Fit
- Readers expecting only Marc Levy's classic romantic dramas — this book leans thriller/mystery
- Those sensitive to detailed depictions of violence and murder planning
- Readers who prefer gritty, realistic thrillers and are put off by a fantastical element (time travel)
The novel opens through the eyes of an unnamed figure — someone who has spent weeks watching a man who jogs every morning at the same time through Manhattan's River Park, planning the technical details of the attack (where to strike, which artery to damage, how delayed the ambulance will be) with clinical precision. The scene reads almost like a medical textbook — no emotion, just calculation.
Chapter two shifts sharply into a completely different tone — May 2011, introducing the career of Andrew Stilman at the New York Times. Starting in the archives at 23, he rises four years later to assistant writer on the "Daily News" obituary desk — five years lived anonymously, on three olives and six martinis a day.
When the paper's finance department notices obituary revenue is climbing, they reward Andrew — in an odd way: transferring him to the wedding announcements column. He succeeds there too, expanding the section by publishing same-sex commitment announcements before such marriages were even legal, and his salary rises accordingly.
His character is sketched in fine detail — Andrew cuts back on drinking not for his health but so he can afford the vintage Datsun 240Z he's always wanted (on the condition of never driving drunk). The chapter ends with Andrew's chance, both-drunk encounter outside a bar with Valerie Ramsay, who will (implicitly) become his wife.
Placing these two chapters side by side creates the novel's core tension — the reader already suspects the jogger being stalked is Andrew himself, but before confirming it, the author carefully introduces his ordinary, at times comic life, so the coming blow lands harder.
- The opening chapter is deliberately written in cold, clinical language — the lack of emotion heightens the tension
- The two contrasting narrative tones (cold-blooded planning vs. light, ironic biography) create an intentional whiplash
Another "second chance" themed novel by the same author
A similar novel blending time travel with romance
Back two months in the past, Andrew pursues his investigation into children stolen in Argentina; his target is a man named Ortiz. An old photograph changes everything: the woman in it looks remarkably like his boss, New York Times editor Olivia Stern. Olivia is in fact Maria Luz, the stolen daughter of Isabel and Raphael, raised by Ortiz. She learned the truth at twenty but could not bring herself to expose Ortiz, so she sent Andrew after him.
The attacker is the mysterious woman from Novecento: Anna, Ortiz's biological daughter, who has been tracking Andrew since Buenos Aires to protect her father. Near the end Andrew is stabbed again and, fighting for his life, hears Anna's voice reminding him that he left Valerie on their wedding night. In hospital his heart stops several times; the surgery goes better than expected, but his life is still in danger.
On 10 July Andrew's article runs on the front page of the New York Times. Valerie reads it to him at his bedside while he is still unconscious. The novel ends open, with the surgeon's words: «Anything is possible in life».
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