Kitabda Nə Var? Kitabda Nə Var?
Appearance
Join Us
What's in the Book? Discussion About Us
Azərbaycan English ✓ Русский Türkçe
← Reviews
Fantasy

Where the Library Hides

In English: Where the Library Hides (Kütüphanenin Sakladıkları)
Isabel Ibáñez
Review by: Rafel Əlizadə08 October 20261 min read
An adventurous historical fantasy set in 1885 in Egypt and Alexandria: a young woman Inez and Whit, the husband she chooses, look for the hidden library under the ancient city and the secret of Cleopatra the Alchemist. Its strongest side is the richness of the historical setting, the humorous dialogue and the chemistry-romance of the heroes. Its weak side is that it requires knowledge of the series' first book and that the romantic tension stays too much unsaid.
Who Is This Book For?
Good Fit
  • Readers who like romantic fantasy with ancient Egypt, archaeological adventure and alchemy
  • Anyone who likes the dialogue of a strong, ironic heroine and a lover who keeps up with her
  • Readers who finished «What the River Knows» and are waiting for the sequel
Not a Fit
  • Readers who want to start without the first book: the novel refers directly to earlier events (Elvira, Inez's mother)
  • Anyone looking for deep historical accuracy: the author deliberately wrote Alexandria's underground library as fantasy
  • Readers looking for fast action: much of the novel is conversation, romance and cautious decisions
How Readers Rate It
Readability 4.0/5 Flowing
Pace 3.3/5 Average
Romance 4.3/5 A lot
40 voters
The marriage proposal, the threat of «exile» and Cairo
Read: the «Prologue» (Whit's proposal), the first two chapters of part one — breakfast with Uncle Ricardo, Whit's waiting for an answer, Inez's decision, Whit's club and bar scenes, going to the wedding (approx. pp. 11–45) — about 11% of the book.

The novel continues the previous book («What the River Knows») and begins in Cairo at the start of 1885. The opening scene is the conversation between Inez Olivera and Whitford Hayes (Whit) in a room of Shepheard's Hotel: Whit says «marry me instead» and Inez asks whether he is serious, because Whit has been drinking. Inez begins packing her suitcase, and Whit turns the suitcase over and tips the things onto the bed. The scene is both romantic and comic: Inez's fear and proud answer, and Whit's reddening face set the tone of the heroes' relationship.

Inez's thoughts make it clear that the proposal is not only a matter of love. In the life she led in Buenos Aires she would have married a «caballero» chosen by her aunt and never come to Egypt. Her cousin Elvira was shot dead before her eyes, her mother Lourdes is a traitor and her father Cayo is missing; the words «never stop looking for me» do not leave her. Marriage would give her access to her fortune and independence from her uncle; moreover she admits for the first time that she is in love with Whit. The novel presents this double motive very readably.

In chapter one Inez keeps Whit waiting for twelve hours, and her uncle Ricardo, with his arm in a sling, tries to «exile» her with a train ticket to Alexandria and a ship ticket to Buenos Aires. The scarf from her mother, which shrinks objects, ties her to her mother; the heroine has kept it instead of burning it. The breakfast scene with her uncle is warm and humorous: Ricardo whines about food and ignores the doctor. Whit knows well that he is promised to someone else and obliged to it; nevertheless he proposes again: «For the first time in my life I am choosing for myself».

Whit states the plan simply: a priest, a permit, a church and a witness are needed; to marry within three days the British consulate must be notified. Inez says «you have thought about these a lot». Although the characters are sure of each other in the conversation, neither speaks openly: he does not say «I admire you», she does not say «I love you». This tone is the main strength and weakness of the novel — everything is left unsaid and the reader waits in suspense.

The style is light, dialogue-driven and ironic. Each chapter is written through one hero's eyes (Inez, then Whit), which gives the reader two views. The historical setting (Cairo, Shepheard's Hotel, British control, the churches) is colourful but in this part more of a backdrop. A reader who has not read the series' first book may be puzzled in some lines (Elvira, the ceremony in the tomb, the conflict with the mother).

Reading Experience
  • The voice of the heroine Inez is ironic, angry and pleasing, the dialogues are humorous
  • The historical setting (Shepheard's Hotel, Cairo, British control) creates an interesting background
  • Chapters told by the two heroes in turn give the reader two views
  • The equal relationship, mutual respect and humour of the two heroes keep the romantic line alive
Content Warning
The novel is the second book of the series and is built on the end of the first book (Elvira, Inez's family); a reader who does not know the earlier part will not understand some placesThere are themes of weapons, death (Elvira) and heavy conflict with the motherThere are episodes of alcohol and drunkenness
If You Liked This
What the River KnowsIsabel Ibáñez

The first book of the series, the start of this novel's events

Crocodile on the SandbankElizabeth Peters

An old-style romantic mystery of archaeological adventure in Egypt with a witty heroine

Death on the NileAgatha Christie

A classic mystery adventure set in Egypt

Spoiler
What happens at the end of the first part?
⚠️ Whit's club scene, the words in the bar and the walk to the church.

Whit goes into the Khedivial Sporting Club, where only British officers are admitted. Because he was dishonourably expelled from the army, they reject him and throw him out. His friend Leo Lopez runs after him and finds him; Leo introduces him in a bar to the army chaplain Henry Poole. As Whit drinks he shouts «I HAVE TO MARRY»; the chaplain agrees, but it is clear that the whole room heard. His former commander says to Whit «does Ricardo know you plan to marry his niece?» Inez sees this scene from above and takes Whit to be drunk.

In the morning Whit comes to Inez's room and says «we must marry today»: otherwise her uncle may find out. They are to meet at sunset at the Hanging Church. Inez arrives in a black dress, Whit is late, Inez thinks he has changed his mind; in the end Whit turns up with the permit paper. At the church door Inez says «we cannot do this, but we have no other way either»; Whit answers «it is you I want». Inside the church Leo sleeps on a pew, and the two go in.

Responsibility. This review reflects the personal assessment of its author, who is responsible for it. As a platform, "What's in the Book?" is not responsible for the content of the review. All rights to the work belong to its author and publisher; the cover image is used for promotional purposes only.

If you see a problem, write to us. Publisher, author, rights holder, or just a reader — it doesn't matter. If there's something problematic about copyright in this review, if the review's author has broken the site's rules, or if you simply have a suggestion or complaint, hey@kitabdanevar.com. We'd rather resolve this between ourselves than go to court: we review requests within 48 hours and, if needed, correct or fully remove the review.
How Would You Rate It?
Did this review help you decide?
Reviews · 0
Similar Books
Reviews
A young officer loses his entire life waiting for an enemy at a remote border fortress — a slow, suffocating existentialist allegory in military dress, and a classic that has lost none of its force.
4.5 / 5
ReviewsAytən Həsənova
The Tartar Steppe

The Tartar Steppe

Dino Buzzati · Classics
Reviews
A textbook-level yet readable core resource in which an Irish clinical psychologist presents positive psychology systematically — happiness, character strengths, emotional intelligence, flow, relationships — through research, measurement tools and practical advice.
4.2 / 5
ReviewsAytən Həsənova
Positive Psychology: The Science of Happiness and Human Strengths

Positive Psychology: The Science of Happiness and Human Strengths

Alan Carr · Non-fiction
Reviews
One of the first books to explain Eric Berne's Transactional Analysis (TA) in language that 9–13-year-olds can follow. Concepts such as 'the three people inside us' — Parent, Adult, Child — 'Warm Fuzzies and Cold Pricklies' and 'I'm OK — You're OK' are presented simply, humorously and with pictures, and every chapter ends with classroom exercises. It is a useful tool for talking with children about feelings, but it also contains scientifically dated and sometimes exaggerated claims.
3.6 / 5
ReviewsAytən Həsənova
The New TA for Kids and Grown-Ups Too

The New TA for Kids and Grown-Ups Too

Alvyn Freed, Margaret Freed · Non-fiction
Reviews
A big, passionate book that turns early twentieth-century New York into a fairy-tale city and blends magical realism with an adventure novel. A white horse ready to fly, the burglar Peter Lake, the colour-obsessed gangster Pearly Soames, the mysterious Baymen of the marshes: every page brings an unexpected figure and a beautiful sentence. But the language is very ornate, the plot keeps wandering off onto side paths, and 776 pages demand patience. In the Turkish edition some sentences feel heavy and translated.
4.1 / 5
ReviewsRafel Əlizadə
Winter’s Tale

Winter’s Tale

Mark Helprin · Novel
Esc — close · ↵ — open
Text